Post · Bonfire Dinteg Labs

One of the most surprising professional/creative developments of my middle-age has been discovering my love of collage. I've never been a visual person. I can't draw, I can't guess if a piece of furniture will fit in a given niche, I can't catch a ball, and I can't tell you if a picture is crooked.

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/12/03/cannier-valley/#bricoleur

@pluralistic I spent a very enjoyable half an hour scrolling through this thread & want to thank you Cory for the many, many half hours you evidently spent putting all those tremendous collages together 🙇‍♂️

And thanks too for the excellent tips & hints on sources for hi-res public domain or suitably CC’d imagery – something I’m always on the lookout for 👍

@pluralistic once you make collage part of your creative life, you can't quit. I have more than 15 years doing collage, and it has been part of my open culture advocacy all these years. Glad to find another collagist at heart 🥰

@pluralistic lol, I was just wondering with my partner how you managed to do all your collages right before stumbling upon this thread. Feels supernatural.
Thanks for sharing!

When Boing Boing started including images with our posts in the early 2000s, I hated it. It was such a chore to find images that were open licensed or public domain, and so many of the subjects I wrote about are abstract and complex and hard to illustrate. Sometimes, I'd come up with a crude visual gag and collage together a few freely usable images as best as I could and call it a day.

But over the five years that I've been writing Pluralistic, I've found myself putting more and more effort and thought into these header images. Without realizing it, I put more and more time into mastering The GIMP (a free/open Photoshop alternative), watching tutorial videos and just noodling from time to time. I also discovered many unsuspected sources of public domain work, such as the Library of Congress, whose search engine sucks, but whose collection is *astounding*.

(Tip: use Kagi or Google to search for images with the "site:loc.gov" flag).

I also discovered the Met's incredible collection:

https://www.metmuseum.org/art/collection/search

And the archives of H Armstrong Roberts, an incredibly prolific stock photographer whose whole corpus is in the public domain. You can download more than 14,000 of his images from the Internet Archive (I certainly did!):

https://archive.org/details/h-armstrong-roberts

Speaking of the Archive and search engine hacks, I've also developed a method for finding hi-rez images that are otherwise very hard to get. Often, an image search will turn up public domain results on commercial stock sites like Getty. If I can't find public domain versions elsewhere (e.g. by using Tineye reverse-image search), I look for Getty's metadata about the image's source (that is, which book or collection it came from).

Then I search the Internet Archive and other public domain repositories for high-rez PDF scans of the original work, and pull the images out of there. Many of my demons come from *Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros*, an 18th century updating of a 11th century demonolgy text, which you can get as a hi-rez at the Wellcome Trust:

https://wellcomecollection.org/works/cvnpwy8d

Five years into my serious collage phase, I find myself increasingly pleased with the work I'm producing. I actually self-published a little book of my favorites this year (*Canny Valley*), which Bruce Sterling provided an intro for and which the legendary book designed John Berry laid out fot me, and I'm planning future volumes:

https://pluralistic.net/2025/09/04/illustrious/#chairman-bruce

I've been doing annual illustration roundups for the past several years, selecting my favorites from the year's crop:

2022:
https://pluralistic.net/2022/12/25/a-year-in-illustration/

2023:
https://pluralistic.net/2023/12/21/collages-r-us/

2024:
https://pluralistic.net/2024/12/07/great-kepplers-ghost/

It's a testament to how much progress I've made that when it came time to choose this year's favorites, I had *33* images I wanted to highlight.

Much of this year's progress is down to my friend and neighbor Alistair Milne, an extremely talented artist and commercial illustrator who has periodically offered me little bits of life-changing advice on composition and technique.

I've also found a way to use these images in my talks: I've pulled together a slideshow of my favorite (enshittification-related) images, formatted for 16:9 (the incredibly awkward aspect ratio that everyone seems to expect these days), with embedded Creative Commons attributions. When I give a talk, I ask to have this run behind me in "kiosk mode," looping with a 10-second delay between each slide. Here's an up-to-date (as of today) version:

https://archive.org/download/enshittification-slideshow/enshittification.pptx

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If these images intrigue you and you'd like hi-rez versions to rework on your own, you can get full rez versions of *all* my blog collagesin my "Pluralistic Collages" Flickr set:

https://www.flickr.com/photos/doctorow/albums/72177720316719208

They're licensed CC BY-SA 4.0, though some subelements may be under different licenses (check the image descriptions for details). But everything is licensed for remix *and* commercial distribution, so go nuts!

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*All the books I reviewed in 2025*

The underlying image comes from the Library of Congress (a search for "reading + book") (because "reading" turns up pictures of Reading, PA and Reading, UK). I love the poop emoji from the cover of the US edition of *Enshittification* and I'm hoping to get permission to do a lot more with it.

https://pluralistic.net/2025/12/02/constant-reader/#too-many-books

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*Meta's new top EU regulator is contractually prohibited from saying mean things about Meta*

Mark Zuckerberg's ghastly Metaverse avatar is *such* a gift to his critics. I can't *believe* his comms team let him release it! The main image is an H Armstrong Roberts classic of a beat cop wagging his finger at a naughty lad on a bicycle. The Wachowskis' 'code waterfall' comes from this generator:

https://github.com/yeaayy/the-matrix

https://pluralistic.net/2025/12/01/erin-go-blagged/#big-tech-omerta

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In my intro to last year's roundup, I wrote about Joseph Keppler, the incredibly prolific illustrator and publisher who founded *Puck* magazine and drew *hundreds* of illustrations, many of them editorial cartoons that accompanied articles that criticized monopolies and America's oligarch class.

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As with so much of his work, Keppler's classic illustration of Rockefeller as a shrimpy, preening king updates very neatly to today's context, through the simple expedient of swapping in Zuck's metaverse avatar.

https://pluralistic.net/2025/11/20/if-you-wanted-to-get-there/#i-wouldnt-start-from-here

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*Facebook's fraud files*

I *love* including scanned currency in my illustrations. Obviously, large-denomination bills make for great symbols in posts about concentrated wealth and power, but also, US currency is iconic, covered in weird illustrations, and available as *incredibly* high-rez scans, like this 7,300+ pixel-wide C-note:

https://commons.wikimedia.org/wiki/File:U.S._hundred_dollar_bill,_1999.jpg

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It turns out that intaglio shading does *really* cool stuff when you tweak the curves. I *love* what happened to Ben Franklin's eyes in this one. (Zuck's body is another Keppler/Puck illo!)

https://pluralistic.net/2025/11/08/faecebook/#too-big-to-care

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*There's one thing EVERY government can do to shrink Big Tech*

This is another Keppler/Roberts mashup. Keppler's original is Teddy Roosevelt as a club-wielding ("speak softly and carry a big stick") trustbusting Goliath. The crying baby and money come from an H Armstrong Roberts tax-protest stock photo (one of the money sacks was originally labeled "TAXES").

https://pluralistic.net/2025/11/01/redistribution-vs-predistribution/#elbows-up-eurostack

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This one also includes one of my standbys, Cryteria's terrific vector image of HAL 9000's glaring red eye, always a good symbolic element for stories about Big Tech, surveillance, and/or AI:

https://commons.wikimedia.org/wiki/File:HAL9000.svg

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*When AI prophecy fails*

The chain-gang photo comes from the Library of Congress. That hacker hoodie is a public domain graphic ganked from Wikimedia Commons. I love how the HAL 9000 eye pops as the only color element in this one.

https://pluralistic.net/2025/10/29/worker-frightening-machines/#robots-stole-your-jerb-kinda

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*Checking in on the state of Amazon's chickenized reverse-centaurs*

Another H Armstrong Roberts remix: originally, this was a grinning delivery man jugging several parcels. I reskinned him and his van with Amazon delivery livery, and matted in the horse-head to create a "reverse centaur" (another theme I return to often).

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