A dystopian background of dull orange, lighter towards the top, as though sunlight is reflecting off fog. Dominating the canvas is a huge, otherworldly something: a weird mix of industrial and organic elements. The something is metallic blue with tinges of rust, and is covered with curved bars and striations. Sticking off it at odd angles are cylinders, some of which are giving off orange smoke. It has small glowing greenish-white lights at various points on its body. Its size—approximately that of a small house—is conveyed by the person standing on top of it. The person is carrying an unidentifiable high-tech tool that looks sort of like a wrench, spitting a jet of orange fire. The person is wearing a suit with a glowing green visor and three glowing white buttons. The painting is signed "Chris Silverman".

A dystopian background of dull orange, lighter towards the top, as though sunlight is reflecting off fog. Dominating the canvas is a huge, otherworldly something: a weird mix of industrial and organic elements. The something is metallic blue with tinges of rust, and is covered with curved bars and striations. Sticking off it at odd angles are cylinders, some of which are giving off orange smoke. It has small glowing greenish-white lights at various points on its body. Its size—approximately that of a small house—is conveyed by the person standing on top of it. The person is carrying an unidentifiable high-tech tool that looks sort of like a wrench, spitting a jet of orange fire. The person is wearing a suit with a glowing green visor and three glowing white buttons. The painting is signed "Chris Silverman".

A hunched figure wearing a coat and a hat walks under a gray night sky and a slightly hazy full moon. The figure has a gnarled cane, and might look like an elderly person out for a walk if it weren't for the fact that its entire upper body is a traffic signal, the red and yellow lights blazing. A low fog hangs over the ground. The painting is signed "Chris Silverman".

A hunched figure wearing a coat and a hat walks under a gray night sky and a slightly hazy full moon. The figure has a gnarled cane, and might look like an elderly person out for a walk if it weren't for the fact that its entire upper body is a traffic signal, the red and yellow lights blazing. A low fog hangs over the ground. The painting is signed "Chris Silverman".

A person stands in a bright red space, holding a yellow flame. Rather than appearing brightly lit, the space feels more like a dark room lit by a fire, with shadows pressing in all around. In front of the person, mounted on a pillar like a sculpture, is a vast and weird object: part asteroid, part machine, with organic folds and striations. The parts of the object closest to the flame glow yellow, fading into red and purple. The painting is signed "Chris Silverman".

A person stands in a bright red space, holding a yellow flame. Rather than appearing brightly lit, the space feels more like a dark room lit by a fire, with shadows pressing in all around. In front of the person, mounted on a pillar like a sculpture, is a vast and weird object: part asteroid, part machine, with organic folds and striations. The parts of the object closest to the flame glow yellow, fading into red and purple. The painting is signed "Chris Silverman".

A bleak industrial scene: hulking brownish factories pouring yellow smoke into a dull red sky. In the foreground, a cat sits on a dark, greenish log, observing the scene. The painting is signed "Chris Silverman".

A bleak industrial scene: hulking brownish factories pouring yellow smoke into a dull red sky. In the foreground, a cat sits on a dark, greenish log, observing the scene. The painting is signed "Chris Silverman".

A strange, heavily industrial building stands against a yellow sky. The building is tall—think of two differently-sized file cabinets stacked on each other—and looks more like a machine part or piece of equipment than a dwelling. It is a drab dark gray with a brownish tinge that suggests weathered concrete. The sides have numerous odd crevices, pipes, and striations, with a red triangle that suggests a hazard symbol painted on the right side. It has a few small windows that reveal a blue interior, as well as glowing white LED-esque lights embedded in the side. On the roof are a few antennas and a radio dish. Out front is a small mailbox. The grass around the building is tinged red from the sun. The painting is signed "Chris Silverman".

A strange, heavily industrial building stands against a yellow sky. The building is tall—think of two differently-sized file cabinets stacked on each other—and looks more like a machine part or piece of equipment than a dwelling. It is a drab dark gray with a brownish tinge that suggests weathered concrete. The sides have numerous odd crevices, pipes, and striations, with a red triangle that suggests a hazard symbol painted on the right side. It has a few small windows that reveal a blue interior, as well as glowing white LED-esque lights embedded in the side. On the roof are a few antennas and a radio dish. Out front is a small mailbox. The grass around the building is tinged red from the sun. The painting is signed "Chris Silverman".