Purple Stone – Spacetime

It has been a while since we had a chance to write about a duo that sounds this good, and when they’re exploring music genres we love from the bottom of our hearts, every listening session becomes such a treat. As you probably already know, the psychedelic rock scene has thrived over the last couple of years, with many new bands and acts delivering high-quality music. It seems like many of them are overly experimenting, exploiting their influences to the max, or mimicking something that the greats recorded and performed decades ago. Thankfully, there are still music outlets capable of writing, composing, and recording unique tracks, rarely heard or seen today. Purple Stone, a duo hailing from northern Sweden, brought “Spacetime,” their second full-length offering that carries a comprehensive collection of fresh, unique, innovative, and exciting compositions that will unquestionably appeal to all those music enthusiasts who are looking for cleverly assembled and flawlessly performed music. Lyrically and conceptually, this material is self-explanatory. It explores space and time, and their power to shape the universe and everything that surrounds us. Through their music, they cover various sentiments, moods, situations, and circumstances, making this material such a deeply resonant listening experience. Sonically, “Spacetime” dominatly explores psychedelic rock sound, as it carries the fundamental elements of this style, but it also goes beyond mere aesthetics of the genre by incorporating other complementary music genres, directions, techniques, and approaches. During these moments, their dedication to the craft truly shines because their compositions are packed with so many details, nuances, layers, elements, and hidden sonic surprises, ready to be revealed with each new listen. You’ll notice how they implemented some of the finest properties from krautrock, synth rock, art rock, alternative, stoner, indie, cinematic ambient, but do not be surprised if you stumble upon more along the way. Although their songs carry qualities that meet all the trends in modern music production, you’ll also notice a subtle touch of nostalgia, evoking eras of psychedelic rock music when this particular music genre ruled the airwaves. Still, these touches of nostalgia are subtle enough not the spoil their initial sonic direction. It’s such a pleasant listening experience packed with so many qualities, suitable for even those listeners stumbling upon psych-rock music for the first time.

As soon as you press play, you’ll hear that Purple Stone dedicated themselves to crafting luxuriant soundscapes that immediately invite you to join onto epic sonic voyage and never look back. It’s an amalgam of songs that wraps around your listening apparatus, grabs by the collar, and never lets go, proving that even contemporary psych-rock music can still sound addictive, hypnotic, and irresistible. Take “Come On Come On Come On” as a perfect example. Perhaps this introductory piece showcases what you might expect from the remainder of the material, but it also demonstrates Purple Stone’s tremendous creative genius. With all those subtly fuzzy guitar works, lush synth layers, intricate warm-sounding basslines, and profoundly detailed beats, it packs all the qualities you wanna hear in a modern psych-rock. But wait until you hear those soulful vocal harmonies; they’re undoubtedly stealing the show here. We already talked about “I’m The One” in our previous writings. It further expands Purple Stone sounds with even more thoughtfully arranged instrumentations, yet it certainly carries its own, distinctive ambiance worth checking out over and over again. Blending seventies synth sequences with commanding basslines is one of the Purple Stone’s strengths, and “Alright” proves how a rock-solid rhythm section and a couple of beautiful synth layers can do wonders. But the band has not forgotten the guitars. Quite the contrary, in this particular scenario, guitars accentuate carefully picked segments with catchy leads, themes, and other sonic maneuvers. Once again, the vocal harmonies decorate and elevate everything while the harmonious sing-alongs provide a more anthemic, hypnotic, meditative feel. “Get High” calms things down with its moderate pace, cinematic ambient pads, marvelous reverby guitar works, and soulful vocal lines. This particular composition carries almost bluesy, soulful, psych-rock vibes, and the band crafted a masterpiece that further showcases their dedication to the craft. “Moods” continues in nearly the same style, but it’s more focused on repetitive sonic and percussive sequences that create hypnotic, ethereal, otherworldly vibes. With tracks like “Adrift” and “Unidentified Flying Space Machine,” Purple Stone gets back to the primary sonic direction, delivering more vocal harmonies that serve as a centerpiece, jangly yet subtly distorted chord progressions, riffs, and other sonic delicacies. Beneath these vocals and guitars, there is a low-end undercurrent offering more heaviness, clarity, and depth while binding everything together. The beats remain steady, groovy, and dynamic, with all those detailed accentuations and subtle fills announcing each upcoming segment. The duo expertly crafts multilayered soundscapes, and “Late Night” is more than a rock-solid proof of how all those layers articulate together without overwhelming each other. In this track, the guitars play a significant role by emitting all those calm, soothing, relaxing, ethereal themes, melodies, harmonies, chord progressions, and other sonic maneuvers. This epic sonic journey comes to an end with a title track, a fine piece of sonic artistry that pretty much sums up everything Purple Stone intended to achieve with this material while simultaneously inviting you to spin this wonderful album all over again.

https://youtu.be/BvkdwsHxE-Y?si=V0FfQ1Euhz3ZaXkf

If you are looking for a modern psychedelic rock album where each vocal, sonic, and rhythmic maneuver works harmoneously in building an addictive, hypnotic, irresistible, fascinating, and luxurious soundscape, “Spacetime” will be right up your alley. This album is a psych-rock masterpiece, thoughtfully written, composed, and recorded by two brilliant songwriters and musicians, whose tremendous experience, knowledge, talent, skills, and ideas shine from start to finish. You should immediately place “Spacetime” on your radar, because each song is packed with so many mesmerizing moments that will assure this is one of the finest albums you’ll hear in a while. Head to your favorite streaming platform and check it out.

https://open.spotify.com/album/1RCzin7My0zyFdaIvqFQPJ?si=_1a1wViwRby5BXGpJNiYMw

#ALTERNATIVE #AMBIENT #ARTROCK #CINEMATIC #INDIE #INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #PURPLESTONE #REVIEWS #SYNTHROCK

Purple Stone – Spacetime

It has been a while since we had a chance to write about a duo that sounds this good, and when they’re exploring music genres we love from the bottom of our hearts, every listening session becomes such a treat. As you probably already know, the psychedelic rock scene has thrived over the last couple of years, with many new bands and acts delivering high-quality music. It seems like many of them are overly experimenting, exploiting their influences to the max, or mimicking something that the greats recorded and performed decades ago. Thankfully, there are still music outlets capable of writing, composing, and recording unique tracks, rarely heard or seen today. Purple Stone, a duo hailing from northern Sweden, brought “Spacetime,” their second full-length offering that carries a comprehensive collection of fresh, unique, innovative, and exciting compositions that will unquestionably appeal to all those music enthusiasts who are looking for cleverly assembled and flawlessly performed music. Lyrically and conceptually, this material is self-explanatory. It explores space and time, and their power to shape the universe and everything that surrounds us. Through their music, they cover various sentiments, moods, situations, and circumstances, making this material such a deeply resonant listening experience. Sonically, “Spacetime” dominatly explores psychedelic rock sound, as it carries the fundamental elements of this style, but it also goes beyond mere aesthetics of the genre by incorporating other complementary music genres, directions, techniques, and approaches. During these moments, their dedication to the craft truly shines because their compositions are packed with so many details, nuances, layers, elements, and hidden sonic surprises, ready to be revealed with each new listen. You’ll notice how they implemented some of the finest properties from krautrock, synth rock, art rock, alternative, stoner, indie, cinematic ambient, but do not be surprised if you stumble upon more along the way. Although their songs carry qualities that meet all the trends in modern music production, you’ll also notice a subtle touch of nostalgia, evoking eras of psychedelic rock music when this particular music genre ruled the airwaves. Still, these touches of nostalgia are subtle enough not the spoil their initial sonic direction. It’s such a pleasant listening experience packed with so many qualities, suitable for even those listeners stumbling upon psych-rock music for the first time.

As soon as you press play, you’ll hear that Purple Stone dedicated themselves to crafting luxuriant soundscapes that immediately invite you to join onto epic sonic voyage and never look back. It’s an amalgam of songs that wraps around your listening apparatus, grabs by the collar, and never lets go, proving that even contemporary psych-rock music can still sound addictive, hypnotic, and irresistible. Take “Come On Come On Come On” as a perfect example. Perhaps this introductory piece showcases what you might expect from the remainder of the material, but it also demonstrates Purple Stone’s tremendous creative genius. With all those subtly fuzzy guitar works, lush synth layers, intricate warm-sounding basslines, and profoundly detailed beats, it packs all the qualities you wanna hear in a modern psych-rock. But wait until you hear those soulful vocal harmonies; they’re undoubtedly stealing the show here. We already talked about “I’m The One” in our previous writings. It further expands Purple Stone sounds with even more thoughtfully arranged instrumentations, yet it certainly carries its own, distinctive ambiance worth checking out over and over again. Blending seventies synth sequences with commanding basslines is one of the Purple Stone’s strengths, and “Alright” proves how a rock-solid rhythm section and a couple of beautiful synth layers can do wonders. But the band has not forgotten the guitars. Quite the contrary, in this particular scenario, guitars accentuate carefully picked segments with catchy leads, themes, and other sonic maneuvers. Once again, the vocal harmonies decorate and elevate everything while the harmonious sing-alongs provide a more anthemic, hypnotic, meditative feel. “Get High” calms things down with its moderate pace, cinematic ambient pads, marvelous reverby guitar works, and soulful vocal lines. This particular composition carries almost bluesy, soulful, psych-rock vibes, and the band crafted a masterpiece that further showcases their dedication to the craft. “Moods” continues in nearly the same style, but it’s more focused on repetitive sonic and percussive sequences that create hypnotic, ethereal, otherworldly vibes. With tracks like “Adrift” and “Unidentified Flying Space Machine,” Purple Stone gets back to the primary sonic direction, delivering more vocal harmonies that serve as a centerpiece, jangly yet subtly distorted chord progressions, riffs, and other sonic delicacies. Beneath these vocals and guitars, there is a low-end undercurrent offering more heaviness, clarity, and depth while binding everything together. The beats remain steady, groovy, and dynamic, with all those detailed accentuations and subtle fills announcing each upcoming segment. The duo expertly crafts multilayered soundscapes, and “Late Night” is more than a rock-solid proof of how all those layers articulate together without overwhelming each other. In this track, the guitars play a significant role by emitting all those calm, soothing, relaxing, ethereal themes, melodies, harmonies, chord progressions, and other sonic maneuvers. This epic sonic journey comes to an end with a title track, a fine piece of sonic artistry that pretty much sums up everything Purple Stone intended to achieve with this material while simultaneously inviting you to spin this wonderful album all over again.

https://youtu.be/BvkdwsHxE-Y?si=V0FfQ1Euhz3ZaXkf

If you are looking for a modern psychedelic rock album where each vocal, sonic, and rhythmic maneuver works harmoneously in building an addictive, hypnotic, irresistible, fascinating, and luxurious soundscape, “Spacetime” will be right up your alley. This album is a psych-rock masterpiece, thoughtfully written, composed, and recorded by two brilliant songwriters and musicians, whose tremendous experience, knowledge, talent, skills, and ideas shine from start to finish. You should immediately place “Spacetime” on your radar, because each song is packed with so many mesmerizing moments that will assure this is one of the finest albums you’ll hear in a while. Head to your favorite streaming platform and check it out.

https://open.spotify.com/album/1RCzin7My0zyFdaIvqFQPJ?si=_1a1wViwRby5BXGpJNiYMw

#ALTERNATIVE #AMBIENT #ARTROCK #CINEMATIC #INDIE #INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #PURPLESTONE #REVIEWS #SYNTHROCK

Ship Says Om Unveils Meditative Ambient-Folk Track “Samadhi”

Ship Says Om, the ambient-folk project led by Jenny Gillespie Mason (Sis, The Lower Wisdom), releases “Samadhi,” a mesmerizing new composition blending shamanic, Celtic, and global influences. Time-stretched vocals float over blurred piano motifs, field recordings, and translucent synth textures, creating an ethereal listening experience. The track serves as a meditative passage into the spiritual and emotional depths Mason explores on her new EP Dream Journal, a six-song collection inspired by psychedelic guided therapy and holistic healing. “Samadhi” embodies inner peace through sound, a gentle, immersive reflection on consciousness and transformation.

#AMBIENT #CINEMATIC #FOLK #MUSIC #NEWS #SHIPSAYSOM

Fore Father – Great Pretender

“Great Pretender” is the latest release by Fore Father, an outstanding American music outlet based in Los Angeles, California. Arriving after “Chrysalis” and “All I Ever,” two exceptional singles released earlier this year that vividly showcase what you might expect from the remainder of the material, “Great Pretender” represents their debut full-length album, packed with ten incredible songs suitable for anyone who appreciates cleverly assembled and flawlessly performed music. Operated by Stephanie Carlin and Carey Clayton, two profoundly creative songwriters whose ideas and musicianship go beyond comprehension many times throughout these tracks, this album represents a remarkable triumph of their collaboration. Sonically, “Great Pretender” carries so many qualities that it’s nearly impossible to grasp them all in one listening. The duo uses various approaches, different techniques, unique directions, and many complementary music genres to illustrate such a luxuriant backdrop that immediately wraps around the listening apparatus, grabs you by the collar, and refuses to let go even after the last notes and beats end. Perhaps alternative rock comes to mind first, as fundamental elements of this style dominate the most in the mix, but you’ll unquestionably notice how some of the finest properties borrowed from indie rock, indie pop, dream pop, and cinematic ambient music found their way into this sonic equation. Fore Father use all these additional sonic ingredients as more than necessary enhancements, accentuations, decorations, and other details to uplift these songs to an entirely new level while simultaneously remaining loyal to the primary sonic direction. You’ll notice how each composition carries qualities that meet all trends in modern music production, yet there’s a subtle touch of nostalgia lurking around and spicing things up. This level of dedication to the craft is rarely heard on a music scene nowadays, but it seems like Fore Father assembled all these tracks with such ease. Therefore, these experimentations with various styles, approaches, and techniques resulted in a comprehensive collection of marvelous songs that will satisfy anyone into soulful, wisely assembled, and flawlessly performed music.

As soon as you press play, you’ll notice how Fore Father expertly blends cinematic ambiance with alternative and indie rock sounds, crafting a calm, soothing, relaxing, ethereal, dreamy atmosphere that immediately transports you to a different realm. Each composition arrives with a perfect structure, garnered with profoundly detailed segments, brilliant ideas, and marvelous orchestrations, perfectly stacked for maximum listening experience. With the introductory palm-muted notes and synth pads included within the opening composition “Let The Light In,” Fore Father invites listeners on an epic voyage through an expansive sonic universe. The duo employs hypnotic, addictive, catchy vocal harmonies and minimalistic yet addictive beats for maximum impact. It’s a perfect opening track that vividly showcases what you might expect from the remainder of the material. With tracks like “All I Ever,” “Firestarter,” and “Great Pretender,” Fore Father further expands their sound by implementing a collection of memorable synth leads, themes, melodies, harmonies, pads, and other sonic maneuvers. It’s nearly mindblowing how all these layers articulate together without overwhelming each other. The transition from various segments gives the feeling of transitioning through different worlds and passages, creating a psychedelic listening experience worth repeating over and over again. On tracks like “Firestarted” and “Great Pretender,” the song gradually builds a slightly heavier, complex, abrasive atmosphere by incorporating various chord progressions and riffs delivered on acoustic and electric guitars. You’ll also notice how warm-sounding basslines rumble beneath the mentioned instrumentations, contributing more than necessary heaviness, clarity, and depth, while the carefully crafted percussive segments offer groove, dynamics, and even mode detail. With songs like “Holy,” “Pendulum,” “The Rains,” “The Chrysalis,” the duo leans towards more dreamy, indie, classic, and contemporary pop waters, bringing even more calm, soothing, relaxing, ethereal, and otherworldly ambiance upfront. It’s nearly mindblowing how they stack all those instrumental layers together without overwhelming each other. Depending on the mood and ambiance of the current composition, Fore Father includes apreggiated or regular chord progressions, intricate low-end maneuvers, and complex rhythmic patterns. These beats, breaks, fills, and other percussive acrobatics keep everything in line while basslines bring more warmth. The guitars and synths are solely responsible for an otherworldly, psychedelic, cathartic atmosphere, moments where your listening apparatus with deep dive and get lost in perfect instrumentations.

Still, Stephanie Carlin and Carey Clayton’s majestic harmonies act as a centerpiece of each composition, elevating everything to new heights, commanding attention, and leading listeners on this epic sonic journey. Whether exploring low-end registers, levitating somewhere in mid-range, or experimenting with high-end notes, their vocal performances go beyond comprehension by emphasizing everything they intended to achieve with this material. Besides decorating all these compositions, they contribute more than necessary emotional depth and complexity to already intricate structures. Everything is so carefully, thoughtfully, expertly assembled, achieving perfection with such ease. With such a calm song like “Eternal Waters,” Fore Father gradually announces the closure of this material. It’s one of those tracks that arrives like a passage, yet its dominance has a significant impact, thanks to a perfectly composed structure and performance. “Luminous” sums up everything Fore Father intended to achieve with this debut album. It carries every bit and piece that defines their lush sound. From marvelous vocal harmonies, luxuriant synths and guitars to detailed basslines and minimalistic yet effective percussions, it closes this material with such elegance. It has been a while since I had an opportunity to witness a full-length debut like this one. “Great Pretender” goes beyond comprehension so many times. With a perfectly structured soundscape, thoughtful arrangements, and profoundly poetic lyricism, Fore Father crafted a dreamy, cinematic alternative rock masterpiece rarely heard or seen nowadays. It’s a deeply soulful, emotive, honest collection of songs that not only tackles all the senses but also demonstrates Fore Father’s tremendous experience, knowledge, creativity, talent, and skills. You should immediately place “Great Pretender” on your music radar, because these wise, talented, magnificent musicians deserve your utmost attention. The album is available on all streaming platforms. Don’t miss it!

https://open.spotify.com/album/6AIYG0m5Z4l4p4gm1x5HNF?si=01trwTfSQ2ObpZjiveL5yg

#ALTPOP #ALTERNATIVE #AMBIENT #CINEMATIC #CONTEMPORARYPOP #DREAMPOP #INDIE #INDIEPOP #INDIEROCK #REVIEWS