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Jonathan Emmesedi
@jemmesedi@c.im  ·  activity timestamp 5 days ago

Charles I in Three Positions -- Anthony van Dyck -- Oil on canvas - 1635/6 -- The King's Gallery, Palace of Holyroodhouse, Scotland.

Neither monster nor martyr, but a flawed character doomed in his attempt to rule three divergent and strife filled kingdoms and overwhelmed by larger social forces. transforming Britain and the world.

Wonderful painting used by Bernini as a reference for his (sadly destroyed) portrait bust.

#History #Art #Painting #Portrait #Charlesi #BritishHistory #VanDyck

The painting shows three distinct views of Charles I, all dressed similarly in a blue and silver brocade doublet with lace collars, and each wearing a variation of the Order of the Garter.

    The left-facing view shows Charles in left profile, his hair slightly curled, his expression reserved, introspective.

    The central portrait presents a frontal, full-face view, where Charles gazes calmly and directly at the viewer. 

    The right-facing view is a three-quarter profile, slightly turned toward the center. It is perhaps the most dynamic of the trio, with a livelier eye and posture.
The painting shows three distinct views of Charles I, all dressed similarly in a blue and silver brocade doublet with lace collars, and each wearing a variation of the Order of the Garter. The left-facing view shows Charles in left profile, his hair slightly curled, his expression reserved, introspective. The central portrait presents a frontal, full-face view, where Charles gazes calmly and directly at the viewer. The right-facing view is a three-quarter profile, slightly turned toward the center. It is perhaps the most dynamic of the trio, with a livelier eye and posture.
The painting shows three distinct views of Charles I, all dressed similarly in a blue and silver brocade doublet with lace collars, and each wearing a variation of the Order of the Garter. The left-facing view shows Charles in left profile, his hair slightly curled, his expression reserved, introspective. The central portrait presents a frontal, full-face view, where Charles gazes calmly and directly at the viewer. The right-facing view is a three-quarter profile, slightly turned toward the center. It is perhaps the most dynamic of the trio, with a livelier eye and posture.
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